The Golden Rule for Becoming a Better Writer
An author argues that the single most important habit for aspiring writers is reading widely and well. He observes a troubling trend of writers who don't read, blaming digital addiction for shrinking attention spans and weakening the 'reading brain,' which is also the writing brain. He offers practical advice: replace screen time with nightly reading to rebuild neural pathways and develop the stamina needed for writing.
Reading changes the structure of the brain, and for the good. But here's the rub: a digital addiction also changes your brain, and for the ill.
- vintagedave
> Why be a writer if you don’t love reading? Why devote your intellectual and emotional energy to creating a book, when it’s a form you’re not invested in? Why write, when you aren’t steeped in wonder of storytelling?
This is the key point, I think. I've seen the same as the author: people who want to be writers but rarely read books. And I don't get it.
I recently finished a novel (now shopping around for agents, which was hard enough pre-AI but now...) and reading was integral to writing it. I know good sentences. I know the style of prose I like to read. I know how things can veer between florid and poetic and where the line is. I know how a sentence can be completely different if you read it as though it was spoken, instead of to yourself (some of mine are written to be read.)
I know the things that annoy me: dropping out to put thoughts in italics; descriptions that specify instead of evoke; characters talking without it leading somewhere. (And much more.)
How do I know this? From reading.
And I want to tell the story. It was a story that grew, that I think will anger the right people (it's not too kind to Musk or VCs or the Russian Orthodox Church), and yet is simply an adventure, tumbling our characters from situation to situation like they fell overboard while navigating rapids. Ultimately I wrote a book I wanted to read. It turned out to be about post-apocalyptic startups and sea monsters.
Someday I'll publish, I hope. And no doubt someone will read it and find style […]
- WhompingWindows
Counterpoint: To become a better writer, write as much as you can.
Reading gives you a flavor, a taste, a style, it allows you to occupy the thoughts of another human.
But getting your thoughts written down? That's writing, not reading. Actually practicing the art of writing is better for your craft than reading someone else's writing.
Matthias Wandel a famous woodworker on YT says it: most of his audience are watching for fun, they don't actually build projects. Would we expect a woodworker to get practically better by not woodworking, but by sampling others work? You might gain a little knowledge, but you'll never see your own limitations and where to grow if you never do it yourself.
Since music comes up in this thread, it's an even better counter example. The act of practicing technique shows you the idioms of each instrument, it shows you HOW to compose for that instrument much more than listening to 100's of recordings. Chopin's genius was knowing the human hand and how it conforms to the keyboard, he knew how to compose for it better than perhaps any other, because he was practical and a virtuoso himself.
When you touch and hear the instrument as you play, when you satisfy your own ear and judgment as Chick Corea says, then you're able to then better mimic others and create new fusions. Just listening to others "as much as you can" isn't going to make you a better performer or technical player at all.
Save the time for doing, not using. Use the time for production, not […]
- andersonl
I think this article is conflating the craft of writing, which is essentially literary ambition and aspiring toward literary fiction, with genre fiction which is focused on plot and story above language that is employed. Writers who aspire towards a nobel or elite critical acclaim certainly must read because their aspiration is to develop a novel and masterful command of their native language. But writers who aspire towards story, storytelling itself is an oral tradition. The author here conflates these two, citing Woolf and Nabokov as examples of voracious readers while addressing a general population of writers. It is not obvious that the genre fiction writer is losing out by reading less compared to watching tv or movies. They would still be learning about pacing, dialogue, plot mechanics, and the ability to consume more stories albeit via a different medium may be net positive EV for them.
As a fun counterfactual, if Fourth Wing by Yarros was instead written as literary fiction, would it be more or less popular? My guess is, less. Which is again to emphasize that masterful craft of language vs. plotting/storytelling are distinct skills that do not face the same payoff or learning dynamics.
- ciconia
A while ago I took under my wing so to speak the neighbor's kid who plays the clarinet at the local music school, but apparently has listened to very little music (at music school he only gets instrument lessons and some music theory.) I had him listen to a wide range of classical music, just to give him a taste, and see what interests him. I told him: a musician who doesn't listen to music is like a writer who doesn't read books. It's not only the craft, it's also the culture that those works embody, and the feeling of belonging to a tradition.
- wcfrobert
Completely agree! I find writing deeply memetic - in that I often catch myself imitating the flow, style, word choices, punctuation and grammar of whatever reading material I'm currently immersed in.
This unfortunately does not bode well for my writing ability as I read emails and Claude output all day. Recently, I've been reading a lot of building codes and compliance documents and I've develop annoying ticks like using "shall", "need not", "take no exception", overuse of passive voice, etc.
My hypothesis is engineers suck at writing by default unless they do extra-curricular reading. I read a lot! But sadly it's often textbooks, journal papers, documentations, and Claude. I'm envious of great writers, but I don't have time to read Keats. I'm immersed in Stewart, Strang, and whatever Claude is feeding me next.
- TofuLover
This reminds me of an article [1] (that I think I may have even seen initially on HN) analysing what writing looks like when treated like TV (consciously or subconsciously). It's a fascinating read and it made me more mindful of interiority in my own writing.
[1]: https://countercraft.substack.com/p/what-not-reading-does-to...
- Kon5ole
This used to be true because most published books were well written. I don't think that's true anymore. Too much noise and too little signal so to speak.
I feel a growing trend where books read like the author's main inspiration is TV shows, down to villains surprising the main character by jumping out from "behind the camera" and dialogue that reads like the book has no ability to convey thoughts and emotions except by having the characters explain them to another character.
Maybe I've just gotten more picky with age but I have a hard time finding anything readable lately. Sure there's the literary prize winners, but they tend to be dull and slow - I want solid pageturner pulp! :)
- TechnoBabble199
In my experience, reading can make you a better writer sure.
But it depends on what you read. Take AI for example, it's trained on a ton of text right? It can write, but can it write effectively? Is its writing really "good" ?
The point I'm trying to make is, there's a difference between reading & learning from the patterns of what you read - and actually learning the best way to write - to actually provide a reader with maximum comprehension (If it's educational) or entertainment (If it's fiction/fantasy)
Best example I can give on this is - you can learn to swim from watching hundreds of people swim - but you won't be an Olympic level swimmer unless you learn from the best.
If that makes sense.